TNR

Fate as Quagmire in Human Faith: A Review of Chigozie Obioma’s The Fishermen | Kehinde Soetan
Exploring the Centripetal Themes from the Horn of Africa: A Review Warsan Shire’s Teaching My Mother How to Give Birth | Angeline Debbie Haywood
Explicating the Performance Model for Ebira-Ekuechi: A Review of Sonnie Ododo’s Facekuerade Theatre | Aliyu Yakubu Abdulkadir
Another Punch on Phallocentricism: A Review of Chimamanda Adichie’s Short Story, ‘Zikora’ | David Medugu & Harris Ifeanyi
An Honest Reflection of a Sensitive Odyssey: A Review of Bukar Usman’s My Public Service Journey | Khalid Imam
Revealing the 21 Cockle Pickers: A Review of Wang Ping’s My Name is Immigrant | Abubakar Sadiq Mustapha
Xenophobic Experiences of Females in Phaswane Mpe’s Welcome to Our Hillbrow By Oni, Afolabi Ajibola
The Struggling Experiences of an Unfortunate Entrepreneur: A Review of Terna Abu’s Eagle Drive | Terese Uwuave
The Oddities of Homosexuality in an African Enclave: A Review of E. E. Sule’s Makwala | Uthman Qasim
My Language, My Tool: A Review of Adamu Idris Manarakis’ Nupe Ta (Nupe Grammar) | Hassan Usman
“Afrovalency” and Ngugi’s Women: The Colonial Affair of Fear and Silence in Wrestling with the Devil: A Prison Memoir By Ifeoma Catherine Onwugbufor
1ST EDITION: EDITORIAL, Feb 2020 (Chief Editor: Saddiq Dzukogi)