TNR

The Parable of the Tongue as a Knife: A Review of E.E. Sule’s Knifing Tongues | Ojo Olumide Emmanuel
The Pains of Cultural Impediments on the Girl-Child: A Review of Chidiogo Lilian Ezejelue’s Far From The End | Ngwaba Ijeoma Ann
The Intricacies of the Toughest Political Transition in Nigeria: A Review of Goodluck Jonathan’s My Transition Hours | Obiwuru C. Rex
The Intellectual and the Burden of Commitment: A Critical Study of Ikeogu Oke’s Heresiad | Oneybuchi James Ile
The Inescapability of Memory:  A Review of Ifésinàchi Nwádikè’s How Morning Remembers the Night | Iwuagwu Ikechukwu
The Representation of Fractured Society in Contemporary Nigerian Writing: An Example of Remi Raji’s Gather My Blood Rivers of Song | Ambali Abdulkabeer
Relishing the Cacophony of Poetics: A Review of Richard Inya’s This Is Not A Poem | Onyebuchi Nwosu
Reappraising the Idea of Armageddon: A Review of Hassan Idris’ Armageddon of Love | Adepoju Isaiah Gbenga
A Critique of Ebun Clark’s Hubert Ogunde—The Making of Nigerian Theatre | Ojo Olorunleke
Poetry as Channel for Socio-political Engagements: A Reading of Halima Amali’s I Want to Join Them | Iorwuese Gogo
Living and the Odds of Existence: A Review of Solomon Edebor’s The Whirlwind of Regrets | Abayomi Awelewa
Inside a Pilgrim’s Logbook: A Review of Olaewe Opeyemi’s Geography of Living | Adesina Ajala