Plays

A Critique of Ebun Clark’s Hubert Ogunde—The Making of Nigerian Theatre | Ojo Olorunleke
Living and the Odds of Existence: A Review of Solomon Edebor’s The Whirlwind of Regrets | Abayomi Awelewa
Explicating the Performance Model for Ebira-Ekuechi: A Review of Sonnie Ododo’s Facekuerade Theatre | Aliyu Yakubu Abdulkadir
A Review of Ngozi Chinedu Omeje’s Play, The Conquered Maiden | Anaga Uduma U.
A Review of Lekan Balogun’s Play, Oya: The Trials of the Gods | Ari-Ajia Olanrewaju
A Review of Akogun Tai Oguntayo’s Play, Once Upon A King | Yusuf BM
A Review of Adedoyin Aguoru’s Two Plays: Refugees of the Great Lakes & Stolen Seeds | Ngwaba Ijeoma
A Review of Sakka Jojo’s Play, Afonja: A Historical play | Moshood Zakariyah 
A Review of Iwu Jeff’s Verdict of the Gods | Nwokeabia Ifeanyi John
A Review of Bode Ojoniyi’s Play, Our Wife Has Gone Mad | Bode Ojoniyi
RUPTURES FROM WITHIN: A REVIEW OF AHMED YERIMA’S JAKADIYA BY BELLO, SHAMSUDDEEN, PhD.