Plays

Reviving The Folktale Tradition: A Study Of Bukar Usman’s The Bride Without Scars And Other Stories By Okoronkwo, Chisom Blessing
Review Of Etima Okon Usanga’s Never Again By Chimnemezu Nwaeze
A Review of Samuel Beckett’s “Happy Days” by Maryam Kekere-Ekun
A Critique of Ebun Clark’s Hubert Ogunde—The Making of Nigerian Theatre | Ojo Olorunleke
Living and the Odds of Existence: A Review of Solomon Edebor’s The Whirlwind of Regrets | Abayomi Awelewa
Explicating the Performance Model for Ebira-Ekuechi: A Review of Sonnie Ododo’s Facekuerade Theatre | Aliyu Yakubu Abdulkadir
A Review of Ngozi Chinedu Omeje’s Play, The Conquered Maiden | Anaga Uduma U.
A Review of Lekan Balogun’s Play, Oya: The Trials of the Gods | Ari-Ajia Olanrewaju
A Review of Akogun Tai Oguntayo’s Play, Once Upon A King | Yusuf BM
A Review of Adedoyin Aguoru’s Two Plays: Refugees of the Great Lakes & Stolen Seeds | Ngwaba Ijeoma
A Review of Sakka Jojo’s Play, Afonja: A Historical play | Moshood Zakariyah 
A Review of Iwu Jeff’s Verdict of the Gods | Nwokeabia Ifeanyi John